sunrise over the mountains

Morning Mentoring Clinics and More

Posted by & filed under Writers Conference.

Unlike other writers’ conferences, the Mount Hermon Christian Writers Conference offers many options for attendees to choose from. One option is the Morning Mentoring Clinics.

The clinics are designed for writers who have some writing and publishing experience. The goal is to give fiction and nonfiction writers concentrated time for having their works-in-progress critiqued in a knowledgeable, supportive, and realistic manner. Skilled professionals in each genre are committed to coming alongside the attendees.

Sarah Sundin says this about the fiction mentoring clinics:

Imagine spending three mornings with half a dozen other serious novelists, learning from one anther and from a published author. In the Fiction Morning Mentoring Clinics at Mount Hermon, authors James Scott Bell (mystery, suspense, and thrillers), Ben Wolf (fantasy and speculative), and Sarah Sundin (historical, contemporary, women’s fiction, and romance) will lead groups of no more than six writers.

In these groups, writers will have a chapter or two critiqued by the other participants and the published author. By analyzing one another’s writing, we learn techniques that sing and pitfalls to avoid. Each published author will tailor the time to the needs of the group, offering writing exercises, teaching, or discussion time. For example, in my clinic last year, we had mini-workshops on dialogue and point-of-view, topics the participants had requested.

If this appeals to you, and if you have some writing experience and wish to take your fiction skills to the next level, apply for a clinic today!

Jan Kern, one of the nonfiction mentors, says:

Our nonfiction mentoring clinics offer a dynamic small-group setting that is perfect for writers desiring focused direction for their works-in-progress. This year we have three mentors, each ready to come alongside you in your specialized area of interest: general, men’s or women’s nonfiction, spiritual formation, devotional, Bible study, or personal-experience stories.

Participants will interact with their mentor, a skilled professional in their genre, along with five other participants in their group. Come and make connections, layer in new learning and perspective into your writing, experience the synergy of creative interaction, and discover momentum for your work in progress.

The Mentoring Clinics meet each morning opposite the Major Morning Tracks and are by application only. Fiction and Nonfiction Clinics are limited to six students each. Applications are processed and the writers placed in groups in the order the applications are received.

Other morning options include Major Morning Tracks. There are seven comprehensive courses to choose from, each one designed with three parts packed with benefits. All included in the main conference fee.

  • Receive instruction from top-notch industry professionals.
  • Apply some of the principles in your own writing.
  • In an afternoon critique group Saturday and Monday, share your writing for constructive response and/or brainstorming.

If neither of those options is right for you, why not make the Mount Hermon writers’ conference a writing retreat? Start your day in a Prayer & Praise session with Kim Bangs, or take a prayer walk along one of the beautiful redwood trails, or seek divine guidance in the Mount Hermon chapel. Join us for a delicious, healthy breakfast. Then spend the rest of the morning writing whatever God lays on your heart to work on.

After lunch, do more writing or take some workshops, meet with the Critique Team, have appointments with faculty members, or enjoy some of the recreational opportunities available to conferees. If you get stuck, spend some time with our Prayer Partners in the chapel. After dinner, be inspired by our evening worship and keynote speaker … or do more writing. You’ll be amazed at how much quality work you’ll get done in this inspiring atmosphere!

Register today for the Mount Hermon Christian Writers Conference!

 

 

 



man reading story outdoors

Writing a Captivating True Story

Posted by & filed under Writers Conference.

by Jan Kern

What draws you into a nonfiction book or article and keeps you captivated? Many readers find  themselves drawn in through story.

Why Story?

A few years ago, Diane Turbide, an editor at Penguin Publishing, said:

People nowadays are assailed on all fronts. They’re busy, they’re overwhelmed by the pace of life, by information. They can’t make out the shape, or the path, or the arc of their own life. Everything is a blur. . . . People are looking for some kind of narrative thread, some kind of plot that makes sense that doesn’t feel so formless. (Penguin Publishing, December 2011)

In our busy culture, readers are looking for connection and grounding through a narrative thread that helps them build a framework to discover meaning for their lives. A well-told true story is one way to effectively create space for that discovery and connection.

The Craft of Storytelling

Lynn Vincent, a master in the craft of narrative nonfiction, naturally creates this space for discovery and connection for her readers. In Same Kind of Different as Me, she does this in part by capturing the nuances of the voice and personality of the two main characters, Denver and Ron. As readers, we get to know these men at first through their independent stories, and then as their paths cross and a connection is formed. We gain not only an expanding view of their lives but also of our own. That’s masterful storytelling.

When I mentor writers, I often use this book as one example of strong narrative writing. I believe great fiction can be researched so well that you believe it must be true, and nonfiction can tell a true story with such excellent use of fiction techniques you have to take a second look to confirm that you’re not reading a novel.

Of course, the scaffolding of the nonfiction story must be research, facts, and reality. That’s a given. But couch this with creative, well-told narrative, and you amp up reader connection several notches. It’s more likely your readers will remember your key message when they put down your article or close the cover of your book.

What’s Next, Storyteller?

Which story will you tell? Here are ten tips as you begin to write your story:

  • Look for life-changing moments: a triumph or a failure, a poignant discovery or monumental decision, or the intersections of conflict.
  • Tell the human story: the real, the authentic, and the fallible.
  • Watch for unique or inspiring angles that will connect well with your reader.
  • Have in mind a key focus question that your story will explore.
  • Decide how much of the story is emotionally appropriate for the purpose of your project and especially in caring for your reader.
  • Consider which POV (point of view) would present the strongest story.
  • If the story is lengthy, consider layering in dialogue and setting, and develop it through a story arc.
  • Watch chronology. Make sure your reader can follow the unfolding of events.
  • Plan the conclusion of your story with a strong takeaway for your reader.

So go ahead, begin. And then bring your story—your own or someone else’s—to the Mount Hermon Christian Writers Conference and share it.

photo of Jan KernAs an author, speaker, and life coach, Jan Kern is passionate about story—both how we live it with hope and intentionality and how we write it with craft and finesse. Her nonfiction series for teens/young adults garnered ECPA Gold Medallion and Retailers Choice finalist awards. Currently she is enjoying new ministry and writing opportunities for women. When Jan isn’t writing or coaching, she serves alongside her husband, Tom, at a residential ministry for at-risk teens. Jan will be mentoring the nonfiction clinic at the Mount Hermon Christian Writers Conference.

 


british coins

Four Ways Money Can Add Depth to Your World

Posted by & filed under Uncategorized, Writers Conference.

by Chris Morris

Many novels hardly even mention currency in the story. And most characters never run out of money or supplies … unless it’s a convenient plot point.

But a creative author can use money as a way to introduce the intricacies of the world that is created. Currency can shine light on the motives of a character. In fantasy, the currency is often based on one or more types of metal. Classic science fiction fare typically has paperless credits or universal currency. So long as authors stick to the mantra of “show, don’t tell,” economies can serve as much more than background.

  1. Political unrest

Imagine a world where a usurper just commandeered control of the kingdom where your story takes place. As an indication of his newly established dominion, he mints new currency with his face on the coins and issues an edict that all commerce must be conducted with his coins only.

Those who support the usurper will gladly comply, while those merchants with less-than-loving feelings toward him will be inclined to continue to accept the “old money.”

Placing your protagonist in the midst of this political intrigue opens a variety of options that will enhance your story.

  1. Bartering with a twist

Picture a universe where a horse with a lame leg has more value to a merchant than a healthy horse. There are  myriad reasons this could be the case, each giving you the chance to expand your world.

Perhaps the sacred texts of your world include this proverb: “The favor of the gods will shine upon the man who cares for a lame animal, for his heart is pure and worthy of reward.”

This uncommon bartering system would create some particularly memorable scenes in a time-travel plot line like Outlander, where the protagonist is not familiar with the world. Your readers would then be able to experience confusion with your main character, which creates further connection with your story.

  1. Black market

It would be easy to “play the religion card” in this scenario. To use an example that could potentially occur in our actual world, consider what the market for hamburgers in India might look like if India were a militant Hindu nation.

But religion is not the only reason a black market might exist. There are many creative concepts that could be applied here. The monarch of a kingdom could be deathly allergic to nuts, so they are banished. But there are certain indigenous tribesmen who still rely upon the sale of Brazil nuts. Welcome to the Brazil nut black market.

Your protagonist can enter this black market for a variety of reasons, ranging from an insatiable desire for Brazil nuts to a need for extra income.

  1. Money exchangers can provide insight into the prejudices among the races.

Consider for a moment what it would be like for a Romulan in the twenty-fourth century to work at a currency exchange for a Klingon world? Try as he might, his strong prejudice against Klingons would come out. This can be brought into the narrative using a short dialogue scene like this:

“We don’t want to exchange our money until Sbardi is working. Like all Romulans, he hates Klingons and gives a better exchange rate.”

In two sentences, the readers are clued into racial tension and see how it impacts the protagonist. The possibilities are endless when you introduce money exchange as a component of your universe.

I am a CPA, but I realize that most people would not want to read a treatise on the economic conditions of Diagon Alley. I’m not suggesting the focus of your stories be on the intricacies of how goods are bought and sold. Instead, I’m pointing out the opportunities that exist in the context of money exchanging hands. Rather than quickly moving over these exchanges, and treating money as a non-entity in the stories you craft, you can add depth and vibrancy to your world.

What other ways could you see currency being used to open up your world to your readers?

Chris is presenting financial workshops for creative people at the Mount Hermon Christian Writers Conference April 7-11, 2017.

photo of chris morrisChris Morris is the founder and managing partner for Chris Morris CPA, LLC, an accounting firm focused on meeting the tax and accounting needs of creative entrepreneurs. He has the privilege of counting editors, digital designers, magazine publishers, authors, photographers, online marketing firms, and book illustrators among his clients. He is the author of the book I’m Making Money, Now What? A Creative Entrepreneur’s Guide to Managing Taxes & Accounting for a Growing Business.

 


the text of psalm 23

The Psalmist Had a Day Job

Posted by & filed under Writers Conference.

by Cynthia Ruchti

For every writer who slogged through a day where interruptions outnumbered hours spent writing…

For every novelist who left a hero in deep distress because the family car needed its oil changed or the substitute teacher position turned into a financially helpful but creatively draining three-month maternity leave sub…

For every memoirist at the edge of a breakthrough in a gripping opening line, called away by a spreadsheet due on a client’s desk…

I offer hope.

King David managed roles as writer, worshiper, and warrior, among other things. He had a day job—king. But what he wrote in pensive, reflective, or desperate hours while listening to, praising, or arguing with God formed among the most frequently visited pages of history’s all-time best seller: the Bible. King and lyricist. King and musician. King and warrior and worshiper and writer.

Aspiring writers might be surprised at the number of veteran authors who—despite multiple books to their credit—have day jobs in addition to their writing careers. They teach fitness classes, work for non-profit ministries, hold down part-time jobs at coffee shops or dental clinics. Among many prolific authors are those who offer home daycare, run ranches, sit in uninspiring cubicles working on uninspiring projects until the end of the workday when their paycheck will provide more printer ink for their heart’s true passion: writing.

You mean I can have it all? I can have a prolific writing career while single-handedly managing a national or international ministry and teaching weekly cooking classes and traveling more than I’m home at my desk and raising organic goats and getting my doctorate in advanced nuclear physics and refinishing museum-quality fifteenth-century furniture and caring for my elderly parents?

No. Key words from that paragraph tell the story:

  • All. The only “alls” we can successfully handle are all God has for us and all God wants us to be.
  • Single-handedly. If the “all” God is asking of us can’t be listed in one breath, we’ll need help: His, obviously, and the help of others who can assist or, better yet, take over responsibilities we thought were ours to manage.
  • Weekly. The writer who is serious about using the gift of words, story, and language for holy, God-directed purposes will have few additional weekly, regular, time-consuming commitments. We’re not told that King David had time for a golf league or that he played the lyre in nursing homes every weekend.
  • Goats. David may have insisted on organic goat’s milk on his breakfast table, but he left his animal-herding days behind when God called him away from tending livestock. The committed writer soon learns that some activities become archives and memories in order to create time for writing.
  • Caring. God too may have glanced over all the other words in that paragraph of piled on responsibilities and landed on this one. Caring is dear to His heart. If what we abandon in our pursuit of a writing career is the caring part—caring for our families, about our relationship with the God for whom we write, about our readers, caring for those entrusted to us—the words we write will ring hollow in His ears and hollow to those who know and love us.

King David was writer, worshiper, and warrior. How did he juggle those interconnected but distinct roles? And what core principles guided all three careers?

Ah! That’s the stuff of which workshops are made.

Cynthia will be mentoring nonfiction writers in inspirational and personal-experience stories at the 2017 Mount Hermon Christian Writers Conference.

Cynthia Ruchti headshotAuthor and speaker Cynthia Ruchti tells stories hemmed-in-hope. Her novels, novellas, devotions, and nonfiction have been recognized by a number of significant industry awards. She and her husband live in the heart of Wisconsin, not far from their three children and five grandchildren. Her prayer is that those who finish reading one of her books or attending an event where she’s speaking will gain the confidence to say, “I can’t unravel. I’m hemmed in hope.”


historical book, glasses, clock

17 Questions to Ask When Researching for Your Novel

Posted by & filed under Writers Conference.

by Sarah Sundin

When I started writing my first World War II novel, I thought I just needed to read a history book, find some cute outfits for my heroine, and have her hum a popular tune.

You may now stop laughing.

Those initial research questions ended up raising more questions. I fell in love with the era and longed to bring it alive with thorough research.

Here are seventeen questions to ask when conducting research for historical fiction. Many are also useful for contemporary novels and when building a story world for fantasy or science fiction. You will not need deep research in every area, but you should be aware of them.

  1. Historical events
    You need to know the events occurring in your era. Even if your character isn’t directly involved, she will be affected by them. Be familiar with the preceding era too.
  2. Setting in historical context
    You may know your setting now—but what was it like then? Towns grow and shrink, businesses and streets change, ethnic groups come and go.
  3. Schooling
    What was the literacy level? Who went to school and for how long? What did they study? If your character breaks the mold (the peasant who reads), how did this happen?
  4. Occupation
    Although I’m a pharmacist, writing about a pharmacist in WWII required research. How much training was required? What were the daily routines, tools, and terminology used, outfits worn? How was the occupation perceived by others?
  5. Community Life
    What clubs and volunteer organizations were popular? What were race relations like? Class relations?
  6. Religious Life
    How did religion affect personal lives and the community? What denominations were in the region? What was the culture in the church—dress, order of service, behavior? Watch out for modern views here.
  7. Names
    Research common names in that era and region. If you must use something uncommon, justify it—and have other characters react appropriately. Also research customs of address (“Mrs. Smith” or “Mary”). In many cultures, only intimate friends used your first name.
  8. Housing
    What were homes like? Floor plans, heating, lighting, plumbing? What were the standards of cleanliness? What about wall coverings and furniture? What colors, prints, and styles were popular?
  9. Home Life
    What were the roles of men, women, and children? What were the rites of courtship and marriage? Views on child rearing? How about routines for cleaning and laundry?
  10. Food
    What recipes and ingredients were used? How was food prepared? Where and when were meals eaten and how (manners, dishes)?
  11. Transportation
    How did people travel? Look into the specifics on wagons, carriages, trains, automobiles, planes. What was the route, how long did it take, and what was the travel experience like?
  12. Fashion
    Most historical writers adore this area. What were the distinctions between day and evening clothing, formal and informal? How about shoes, hats, gloves, jewelry, hairstyles, makeup? Don’t forget to clothe the men and children too!
  13. Communication
    How did people communicate over long distances? How long did letters take and how were they delivered? Did they have telegrams or telephones—if so, how were they used?
  14. Media
    How was news received? By couriers, newspapers, radio, movie newsreels, TV? How long did it take for people to learn about an event?
  15. Entertainment
    How did they spend free time? Music, books, magazines, plays, sports, dancing, games? Did people enjoy certain forms of entertainment—or shun others?
  16. Health Care
    Your characters get sick and injured, don’t they? Good. How will you treat them? Who will treat them and where? What were common diseases? Did they understand the relationship between germs and disease?
  17. Justice
    Laws change, so be familiar with laws concerning crimes committed by or against your characters. Also understand the law enforcement, court, and prison systems.

Don’t get overwhelmed or buried in research. Remember, story rules. Let the story guide your research, and let research enrich your story. Your readers will love it.

Originally published by FaithWriters, October 8, 2012, http://faithwriters.com/blog/2012/10/08/historical-research-seventeen-questions/.

photo of sarah sundlinSarah Sundin will be teaching a Fiction Morning Mentoring Clinic and a workshop on “Historical Research without the Headaches.” She is the author of nine historical novels, including Anchor in the Storm and When Tides Turn (March 2017). Her novel Through Waters Deep was a finalist for the 2016 Carol Award, won the INSPY Award, and was named to Booklist’s “101 Best Romance Novels of the Last 10 Years.” A mother of three, Sarah lives in California. www.sarahsundin.com.

Click here for more information about the Mount Hermon Christian Writers Conference.



Update from the Advancement Team!

Posted by & filed under Kindling.

Karen CristWe’d like you to meet Karen Crist, the newest member of the Mount Hermon Advancement Team.

Karen officially joined the team on December 13, filling a key position previously held for a decade by Debbie Franck, whose last day
was October 29.

Karen has an energetic, joyful personality and a deep love for the Lord, with the critical skills needed to step into her new position.

“The profound sense of gratitude came over me the first time I came on site to meet J.R.  God’s power was instantly felt as I pulled onto the property. I don’t even know how to describe the level of excitement I have meeting the valuable individuals who collectively work towards the mission of Lives Transformed at Mount Hermon.”
Next time you’re at Mount Hermon make sure to stop by and meet Karen, introduce yourself and welcome her to the team. We know you’re going to enjoy her!


One-One-One: 2016 was quite a year.

Posted by & filed under Kindling.

By Mike Romberger, CEO/President Mount Hermon

It was a Leap Year, Pokemon Go entered our existence, the Rio Olympics were a surprise success, and the Cubs won the World Series. No really, they did!

You never know what a year is  going to bring, and as we have now entered 2017 we aren’t sure of what all is ahead for us, but we are confident of Who goes before us, which gives us great hope as we forge ahead.

In the midst of all the craziness in our world that surrounds us we are enjoying year 111  (One-One-One) of Mount Hermon’s faithful existence— faithful to a faithful God, faithful to His Word, and faithful to depend upon His  transforming work in people’s lives.

One-One-One (111).  That’s a lot of years of God’s faithfulness in one place!

You are a key reason why God continues to place His faithful hand of blessing upon Mount Hermon. Your prayers, your encouragement, your generosity, your involvement are all used by God as He works in this place. Lives continue to be refreshed, renewed and transformed by the various ministries and locations under the umbrella known as Mount Hermon. This is God’s place, and He continues to work.

Thank you for your partnership. We are a team, and we couldn’t do this without you. 

 


Watch Full Movie Get Squirrely (2015)

Posted by & filed under Kindling.


Quality : HD
Title : Get Squirrely.
Director : Ross Venokur
Writer : Lenore Venokur
Release : 2015-03-01
Language : English
Runtime : 85 min
Genre : Family, Animation, Comedy.

Synopsis :
‘Get Squirrely’ is a movie genre Family, was released in March 1, 2015. Ross Venokur was directed this movie and starring by Victoria Justice. This movietell story about After breaking out of a rehabilitation zoo, Frankie, a squirrel with all the angles, returns to his forest. He learns from his dim-witted best friend, Cody, a porcupine and street-con,that while he was in lock-up, the entire forest was picked clean by The A.C.O.R.N.S. Institute (Alternative Cosmetic Oils for Regenerative Natural Skin-care). No acorn was left behind. With winter justaround the corner, it’s a potentially devastating blow to all forest critters. So, Frankie has no choice but to bust into the brand new, state-of-the-art, rodent-proof A.C.O.R.N.S. Processing Plant andtake back all of the acorns! Though a seemingly impossible heist, success would not only save the lives of his forest friends, but it would also give Frankie a chance to win back the love of his life,Lola, a local “show squirrel.” Sadly, Lola has been burnt by too many of Frankie’s false promises in the past.

Watch Full Movie Get Squirrely (2015)