Posts Categorized: Writers Conference

Why Investing in Your Writing Career is a Good Idea

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B.J. Taylor.2BLOGGER: B.J. TAYLOR

Editorial Representative, Guideposts Magazine

Teaching an Afternoon Workshop, Reviewing Pre-Conference Manuscripts and meeting with writers at the 2016 Mount Hermon Christian Writers’ Conference, March 18-22.

 

WHY INVESTING IN YOUR WRITING CAREER IS A GOOD IDEA

The great accomplishments of man have resulted from the transmission of ideas and enthusiasm.” – Thomas J. Watson

The Mount Hermon Writers Conference has ideas, enthusiasm and more!

l  Choose from a variety of classes (all at the same place).

l  Meet many other writers (think writer’s group/critique group potential).

l  Touch base with editors and agents (think sales down the road).

Benjamin Franklin said: “An investment in knowledge pays the best interest.” When I first started attending the Mount Hermon conferences, I was a newbie writer with a few small successes in publication. I kept coming back, year after year, and learned more and more, and today, well, I’d credit a great deal of my success to attending those conferences (adding in a lot of perseverance and a lot of work on my writing skills).

Do you want to change the world with your writing? Steve Jobs said, “…The people who are crazy enough to think they can change the world are the ones who do.” Be one of those people. And if it scares you to think of attending a conference where there are hundreds of people, just remember this from John Wayne, “Courage is being scared to death, but saddling up anyway.

Investing in your writing career by attending a conference is important because it’s the place where you can hone your skills, listen to other writers talk about how they succeed, and make a plan for yourself on how to be successful and make money with your writing. And making money isn’t a bad thing. Selling what you write helps to offset the money you invest.

When thinking about where to come up with the funds needed for the conference, take it from Steve Martin who said, “I love money. I love everything about it. I bought some pretty good stuff. Got me a $300 pair of socks. Got a fur sink. An electric dog polisher. A gasoline powered turtleneck sweater. And, of course, I bought some dumb stuff, too.” lol Like Steve Martin, I’ve bought dumb stuff, too, but I’ve learned to put priority on what I need, and that’s the infusion of ideas and enthusiasm that Mount Hermon brings.

A journey of a thousand miles must begin with a single step.” Lao Tzu

Take that step of investment in your writing career. I’d love to see you at Mount Hermon in March.

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Come meet B.J. Taylor at the 43rd annual Mount Hermon Christian Writers Conference, March 18-22, 2016.

Click here to Register Now!

10 Steps to Better Time and Stress Management for Authors

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Are you vowing to better manage your time and stress in 2016? This post is for you.

Ben WolfBLOGGER: BEN WOLF

Publisher, Splickety Magazine, Splickety Love, Havock 

Teaching an Afternoon Workshop, Reviewing Pre-Conference Manuscripts and meeting with writers at the 2016 Mount Hermon Christian Writers’ Conference, March 18-22.

 

10 STEPS TO BETTER TIME AND STRESS MANAGEMENT FOR AUTHORS

Walk the dog. Take out the trash. Make dinner. Get the kids to their activities. Volunteer at church. Work your day job. Spend time with your spouse.

Oh, and somewhere in there, you need to write, too.

So how do you make it happen? How do you carve out time amidst all the stress of your life to write?

Short answer: have a plan, and stick to it.

I created a 10-step process to get me from being stressed to being productive—ultra-productive—with my writing. I’m going to share it with you today with the hope that you can make use of at least some of them.

Before you jump into the process, you have to determine when you’re going to try to do it. Make sure you set aside time–at least an hour, if possible.

With your time set aside, you can dedicate yourself to following these steps and get your butt in the chair to write. So, once you’ve set the time aside, the first thing you do is…

  1. Freak Out.

No, I’m not kidding. One of the best ways to deal with excess stress is to vent it. Scream in a pillow, or pound it. Whoop and holler. As long as you’re not harming yourself or being destructive, this is an important step to follow.

Once you’ve done that…

  1. Take a Breath.

You have successfully freaked out. Congrats.

Now regain your equilibrium—if you can’t get back to a nice, balanced point, you can’t advance beyond that level to a proactive, productive point, and you certainly won’t get to the ultra-productive point where your stress actually becomes your fuel (more on that later).

So, take that breath (or two…or three…or seventeen) and center yourself. Then…

  1. Pray

God WILL help you. He’s faithful. Jesus said not to worry about what you will eat, drink, wear, where you’ll live, and so on. He said don’t worry about tomorrow because today has enough worries on its own (see Matthew 6:25-34).

Besides…when is prayer NOT a good idea? This segues into our next one…

  1. Prioritize.

Put off ’til tomorrow what you can do today.

I prioritize in two ways: I do the projects that need to be done first (to make sure I’m not late), and then, if I’ve somehow managed to not procrastinate, I do the hardest project first.

The opposite can work well also. The momentum you get from finishing small projects can inspire you to dive head-on into the big ones and take them down. But suppose you need a bit of extra inspiration while you’re working. You could…

  1. Medicate.

I’m not talking about booze or drugs or even caffeine (at least not necessarily). I’m saying find something that motivates you to get started. Something that gets you writing (or working on whatever you need to accomplish).

Maybe get yourself a snack, or your favorite beverage, or both, and chow down on them. And while you’re at it…

  1. Get comfy.

Ideally, you’re going to be in that spot awhile writing, so you might as well enjoy your stay. Round up pillows and blankets, find a comfy chair, etc. Just don’t take too much time with this step—you still have work to do.

The crucial part of this step is to physically set yourself up to succeed. Be sure to cut out distractions, create an environment that fosters creativity, and start working. Once your writing realm is established…

  1. Jump in headfirst.

You just have to do it. Abandon your reason, your worries, and your fears. Go for it, and go for it hard, because the sooner it’s done, the sooner it’s done. Once you’re in the zone…

  1. Make the stress become your fuel.

Remember how I mentioned that you could become ultra-productive? This is how you do it: find a way to channel the anxiety and stress of your deadline into your energy reserve OR ignore that external stress entirely.

Those are your two options. If thinking of your stress empowers you to work harder, use it to spur you on. If, on the other hand, that stress tends to cripple you, then push it out entirely and set your sights on only one thing: that manuscript.

In either case, you’ll find yourself being ultra-productive because you’veyou’re yourself up for success (Steps 1 through 7) and now you’ve dealt with your stress the right way for you personally. Once you’ve been ultra-productive for awhile…

  1. Finish strong.

Write that last chapter with zeal. Type that concluding paragraph with gusto. Compose those final song lyrics and notes with fire shooting from your fingertips.

In other words, don’t tank at the end. Why give yourself something to stress out about tomorrow if you can help it? The point here is to finish if you’re close. Power through to the end if you can. If not, don’t sweat it, and when you’re done…

  1. Make a break for it.

Regardless of whether you’ve got more to do or if you finished, take a break. During this break, your task is simple: celebrate.

You’ve got to expend your extra energy somehow. Sometimes it’s through celebration, other times it’s through relaxation. Depends on your mood.

Those are the 10 Steps. But sometimes you may find that those steps aren’t enough. In that case, I recommend that you venture outside the 10 Ssteps to something I like to call…

Step 0: Delegate.

You don’t have to do everything. You have lots of choices in life. Someone else can dot he dishes every now and then. Hire a service to mow your lawn. Have the kids or your spouse vacuum the living room carpet or take out the trash.

Yes, everyone’s circumstance is different, but if this is your career choice and not just a hobby, isn’t it worth investing a bit of money and/or energy in carving out more time in your busy schedule to write?

If you can delegate something—anything—to someone you trust, then do it. It will give you freedom to do the other things you need to do, which means more efficiency and less stress.

If delegation and the ten steps still aren’t enough, it may be time to cut something out of your life. Our time on this planet is limited. Use the principles in Step 4 and figure out if something’s got to go.

There you have it. What are you waiting for? Start these 10 Steps today and get writing!

__________________

Come meet Ben Wolf at the 43rd annual Mount Hermon Christian Writers Conference, March 18-22, 2016.

Click here to Register!

WHAT’S TIMING GOT TO DO WITH FINDING AN AGENT?

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Jessie Kirkland stripeBLOGGER: JESSIE KIRKLAND

A Literary Agent with The Blythe Daniel Agency, Jessie will teach two Afternoon Workshops, review Pre-Conference Manuscript Submissions, and meet with writers at the 2016 Mount Hermon Christian Writers Conference, March 18-22.

WHAT’S TIMING GOT TO DO WITH FINDING AN AGENT?

Watch photo

Poor timing could sabotage your ability to snag an agent. Some writers can’t get an agent because their craft still needs work. Other writers fail to come up with a unique idea that helps them stand out amongst the competition. However, many writers have put in the time and hard work necessary to get published, and they are still empty-handed when it comes to signing with an agent. For some of those talented writers, it simply comes down to poor timing. So, how does timing affect the “yes” you so badly want and need from an agent?

Although I would say that I’m always open to submissions, the truth is I’m not always in active signing mode. I tend to sign people in rounds throughout the year. And these signing sprees are typically concurrent with writers conferences, not the queries in my inbox. I do review queries, but it’s not the best way to pitch me personally.

Here is a typical rundown of my calendar year. I have a conference a month in August, September, and October, then I take a break until February. Then, I have a February, March, and May conference, and then I break for the summer. In the spaces between these writers conferences and retreats, free time is scarce. Most months, I’m focused on servicing my existing clients: negotiating contracts, talking with editors and publishers, and helping clients with marketing & social media. Many agents have much busier schedules than me as they go to multiple conferences a month—every single month of the year.

It can be very difficult for agents to find time to stop doing the work that is right in front of them, in order to think about acquisitions. The workload from already existing clientele always takes priority over potential clients. I can’t switch my brain into acquisition mode sometimes, until I’m leaving on a plane for my next conference. At almost every writers conference, agents teach, speak on publishing panels, and take pitches via 15-minute appointments. A writers conference is your best chance at getting signed by me personally. And yet timing plays a role at these conferences, too.

Agents typically meet with acquisition editors and publishers in 30-minute appointments in between all the duties we have scheduled for us at conferences. So, what if you come to a conference and don’t get the time you wanted with an agent? Then, what should you do? My advice is that you send an email to the agent with a title like “Mt. Hermon Writers Conference meeting” in the subject line. We don’t normally stop checking email, even if we are at conferences. Tell the agent that you weren’t able to get an appointment with them like you requested, and would it be possible to meet with them at a meal or during some of their free time? You might have a good chance at not only getting this appointment, but also standing out more because you emailed them and now you are on their radar.

NOTE FROM MONA: Mount Hermon doesn’t do pre-conference or arbitrary sign-up sheets for appointments. You and the faculty member schedule your own appointments. You can read more about the connection process here.

A few years ago, I was sprinting through a hotel lobby trying to get to a dinner meeting with a publisher when a conference attendee stopped me as I was hurrying past, and told me that they didn’t get an appointment with me. I replied, “Oh, I’m so sorry. If you’ll send me an email, maybe we can make some time.” The guy was determined to force me to hear him out—right there in the lobby. He started to recite his pitch when I had to interrupt him and say, “No. I’m sorry I can’t listen right now. I have an appointment.” He kept pitching, and moved in front of me to block me from leaving. And so I stood there, feeling odd, and by that point…mad. When he was finished I said, “I’m sorry, but I’m not interested.” and stepped past him. My point? If he would have been wise with the time I offered him, instead of pushy, then it might have turned out differently.

Don’t ruin your chance by forcing a moment with an agent when they don’t have time to listen. Particularly if they’ve already politely said no. There’s so much instruction out there on how to take your moment and deliver your elevator pitch, but if you force your moment into an agent’s already-filled-up schedule, then you’ll probably be staring a quick no in the face. Pick a meal to do an impromptu pitch, not when an agent is running to the restroom or another meeting and doesn’t even have the time to think about what you are saying. I think all of us expect to be stopped, and we don’t mind at all. It’s only when writers get forceful that things can turn south quickly. That type of bad timing pitch will never turn out in your favor.

Agents are busy. Our calendars are full, and although another agent’s calendar may look different than mine in a lot of ways, I assure you there are patterns to the bulk of their signing. They might not have my habits, but they have habits. Their calendars, inboxes, and time available still affect your ability to get their attention. And when you know these patterns, you’ll be able to pinpoint more optimal times to query or pitch them face-to-face, and therefore have a better chance at getting an agent.

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Come meet Jessie Kirkland at the 43rd annual Mount Hermon Christian Writers Conference, March 18-22, 2016.

Click here to Register!

Making Your Speculative Story World Unique

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Kathy Tyers GillinBLOGGER: KATHY TYERS GILLIN

A freelance author, mentor and editor, Kathy will serve as a fiction mentor for the Morning Mentoring Clinic and teach an Afternoon Workshop.

 

MAKING YOUR SPECULATIVE STORY WORLD UNIQUE

People who write fantasy and science fiction read a lot of it. We love the way it lets us stand outside life-as-we-know-it and look at what it means to be human in this world. And as authors, we tend to imitate what we’ve read.

That means it can be a little too easy to recycle the common tropes of speculative fiction: dragons that can be ridden, planets that have gravity so close to earth-normal that people can walk unassisted, spaceships that go BOOM when they blow up. Last year at Mount Hermon, I passed out a cliché list I’d found online—and since it’s well-nigh impossible to tell a readable story without using any well-established ideas, I had to confess I’d written many of them into my books.

But in a speculative story, not everything unusual should come out of the consensus universe. How can we add something new to the conversation?

Try brainstorming across different disciplines.

  • Combine botany and culture to imagine the farming community of an imagined era or planet
  • Mingle the culinary arts with microbiology to imagine new fermented foods.
  • Cross anatomy with aerodynamics, and create fantasy dragons that people really could ride.
  • What about combining speculative geology with architecture and homebuilding?
  • Or applying your imagined culture’s history to the planet’s orbital cycle, to create a believable list of holidays?
  • The possibilities are endless.

You might discover that mingling seemingly unrelated crafts and sciences is just as much fun as using the results to deepen your story—so don’t get carried away! Remember story is character in conflict.  That’s why 90% of your scientific brainstorming won’t be explained in the story.

The deeper and wider your knowledge pool, the more interesting the ideas that might come swimming past. Speculative fiction’s target audience tends to be bright, introverted, and well-read in what’s already published. They’ll know where we borrowed our ideas, if we only borrow.

So add something fresh to the conversation. Some day, when other writers borrow your fresh ideas, you’ll know they aren’t just acknowledging Tolkien or George Lucas, C.S. Lewis or J.K. Rowling. They have also acknowledged you.

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Come meet Kathy Tyers Gillin at the the 43rd Mount Hermon Christian Writers Conference, March 18-22, 2016.

Click here to REGISTER NOW!

Nailing the 3 C’s of the Writing Sample

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MickSilva_2 (800x577)BLOGGER: MICK SILVA

A freelance editor and mentor, Mick will speak at the opening Friday afternoon session, serve as a fiction mentor for the Pre-Conference Next Level Clinic, and on the Critique Team during the main conference at the 2016 Mount Hermon Christian Writers Conference in March.

 

NAILING THE 3 C’s OF THE WRITING SAMPLE

This is the best advice I have on writing the sample, the first 30 pages included with the proposal. I promise.

And I give it to you now, free of charge. I can personally guarantee it’s better than anything else out there on this because it goes further and encompasses more. I’ve done my research,recommendations here. For memoir, get my ebook and as part of the professional community of book developers, I know my competition. And just for fun, if you don’t agree this is better than a similar piece on this topic, please send me a link and I’ll see to it that you’re destroyed, er, fairly compensated for your time and effort.

I considered calling this post “The C-3 for Writing Your Sample,” as in C-3, the dangerous plastic explosive. But I wondered if enough people know what C-3 is. And it turns out C3 in military terms can also refer to “command, control, and communications,” which is neither relevant nor particularly amusing. So if it helps here to think of a pliable gray substance used in blowing things up, have at it. I’m using 3 C’s that are just as powerful and equally deadly to editors and agents who come across them in proposal samples at writers conferences.

Ready? Content, Craft and Community.

Boom.

Okay, why are these are the 3 big categories to focus on, the 3 essential things I look for to see if an author has nailed the writing sample?

 

Content

Content refers to the concept you’re promoting. It reveals your specific belief about that idea, your unique take on it, and your expertise as a representative. There’s a lot to unpack in that definition, so I’ll elucidate (and don’t worry: understanding craft and community is a whole lot easier).

First, identify what you’re selling. My vision form can help a lot here (it’s free: micksilva.com/define-the-vision) by distilling your idea to the felt need it most directly answers. There’s always a “best way” to say things, and an explosive concept will reveal a unique specific answer to a big, well-defined problem. Mark that. Even with fiction, if you read the back cover or endorsements you’ll see this kind of thing: “Dazzling!” “Masterful!” “Full of the universal longing for freedom,” “Restored my hope in humanity…”

Those words describe the big need that that book solved.

Of course, a proposal builds this case, so the writing sample is less about the content than proving your craft. But it does need to show you’ve worked to define your target. So ask yourself, How will people describe this? And how does this sample speak to deep needs?

Remember, often, our first ideas, or second or third, are not good enough. You’ve got to dig deeper than surface-level and initial impressions. People will find what you say compelling when you go further, dive deeper, look harder. Show you’re committed to this message for the long haul.

And since it’s very difficult to know if your concept is compelling enough, we need to move on to refining (that you’re committed is plenty good for now).

 

Craft

If your idea is compelling, you’ll know it by how people respond to the sample. Craft refers to how well your sample is written—which of course means how well it’s been rewritten, edited and polished. First-time authors, get professional content editing, line-editing, copyediting and proofing—four separate editors with good experience and a track record (expensive, I know, but so is publishing a sub-par book). Pro editing is increasingly critical in ensuring work that’s clear, concise and above all, complete.

Even if the sample hooks an editor, he or she will likely need the full book to prove you can deliver.

If your first 30 pages demonstrate your book will stand out amongst the dozens of other books just like it, it will be because it reflects your 1) research and 2) reduction of what doesn’t connect to your central point or theme. Again, several books on editing can help (see above) you make it your best before professional editing.

There’s some overlap between content and craft since “content editing” is often needed to determine the right focus and that distractions are eliminated. But this is also why, unequivocally, the right editor can be your most important step in building your community.

 

Community

Who do you have around you helping create, campaign and convince people to read your work? (Sorry, I must like C’s.)

Every writer needs endorsers and partners who will commit to be vocal about your book. Be sure to refer back to my other post on writing the proposal using your “heart goal.” Taken together, they cover all you need to prepare your work for the conference.

For many writers, building community is some of their hardest work. If that’s you, you’re not alone. You just have to be diligent and be yourself. If you’re a quiet type like me, do things that aren’t too taxing. Get help from your more extroverted friends and remember if your goal is to help more people with your work, you have to mention it and ask for help with that.

I’m not a good model here, but I’m getting better. Who you know is absolutely how popular authors succeed. I’m actually discovering building community isn’t that hard if you commit to helping people, and what I learn about myself in the process is a great hidden reward.

Success comes in knowing what you value by having worked through that yourself. And a community of like-minded, passionate professionals is an often-unspoken-but-vital key to writing that sample that’s keenly insightful and based in a broad experience (you’ll also hear people say reading is important, which is definitely true too).

This coming year at Mount Hermon I’ll be taking a small group of novelists through these steps in the Pre-Conference Next Level Clinics. I hope to read some exciting, edgy samples full of bold commitment and insight.

And if I get my ultimate wish, I’ll find that one explosive work I could see submitting to an agent or editor eager to be blown away.

 

Which of the 3 Cs do you think you most need to work on–Content, Craft, or Community?

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Come meet Mick Silva at the 43rd annual Mount Hermon Christian Writers Conference, March 16-22, 2016.

Click here to REGISTER NOW!

Workarounds: Finding an Agent

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Wendy LawtonBLOGGER: WENDY LAWTON

Literary Agent and Vice President of Books & Such Literary Management

Co-Teaching a One-Hour Workshop and serving on the Agent Panel.

WORKAROUNDS: FINDING AN AGENT

Too often we hear writers mourning the “fact” that one can’t get published without an agent (which is not true) and that it’s near impossible to find an agent in this seemingly shrinking market.

Anytime the front door to a problem seems blocked, I like to find a workaround. Let’s look at the problem and see if we can figure out the workaround.

Problem: Catching the attention of an agent and getting him to ask for a proposal or manuscript.

Traditional Solution: Write a smashing query letter, send it to multiple agents and hold your breath.

Workaround: Meet the agent or publishing professional in person. Sounds complicated, but it’s not. And we’re not talking about the fabled literary dinner parties and salons of Maxwell Perkins, F. Scott Fitzgerald and Ernest Hemingway.

A century ago, people didn’t travel like we do today. Writers, agents & editors gather together in person more than ever before. Forget the dinner party, you can now spend an entire week with your favorite publishing professionals, practice the craft and learn about the business of writing. Agents and editors are committed to making ourselves available at writer’s conferences. It’s my favorite way to meet writers who are willing to invest time, energy and fiscal resources in their careers. I’m preparing for the Mount Hermon Christian Writers Conference in three months. It’s still one of my favorite weeks of the whole year.

Simple fact: Agents attend writers conferences to meet new writers. The good conferences give us plenty of time to connect with writers. Mount Hermon is one of my favorites. In addition to the appointments we schedule, we share seven or eight meals with writers. Those relationships forged around a table of eight are the basis for many a professional relationship.

It may take a number of different face-to-face meetings until your target agent decides he can’t live without you, but there is something about that real-time connecting that overshadows the traditional methods. It’s the perfect workaround.

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Come meet Wendy Lawton at the Mount Hermon, March 18-22, 2016, where she’ll participate in a couple of workshops, review pre-conference manuscripts, and meet with writers!

Are you looking for the agent who is right for you? Eight agents plan to join us at Mount Hermon in the spring. I hope you’ll consider doing so, too.

Click here to REGISTER.

Success! Are You Ready?

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Tamela Hancock Murray
BLOGGER: TAMELA HANCOCK MURRAY

A Literary Agent with The Steve Laube Agency, Tamela will teach an Afternoon Workshop, participate in an Agents Q&A, and meet with potential clients at the 2016 Mount Hermon Christian Writers’ Conference in March.

SUCCESS! ARE YOU READY?

Recently one of the faithful readers of The Steve Laube Agency blog asked if I would write a blog on how to handle success. Here are a few of my thoughts, in no particular order:

Once you are successful, prepare to…

Be gracious. Whether you struggled for years to be published or if you’ve never heard the word “no” from an agent or editor, when writing in public forums or speaking in a group setting, always temper your enthusiasm about your success. No doubt and you simply want your friends to celebrate with you. We all want that. But in a public forum, there will always be the person your success makes feel small, and words that can be interpreted as boasting can hurt, no matter how pure your heart.

Deal with backbiting. Since we live in a fallen world, even if you are the most gracious and lovely person you can be, someone will be envious of you. Someone will say your writing stinks. You may never hear this. Or you might. Either way, keep walking with God, and realize that writing touches the gamut of emotions. We cannot control responses to our writing. No one is immune to criticism. Don’t believe me? We just celebrated Jesus’ ultimate sacrifice for us, His crucifixion brought about by His actions — and His words.

Realize that people who were never on your team still won’t be. We’d all like to think that if only we could appear on TV and become rich and famous, we could finally prove our critics wrong. Nope. They’ll just hate you more. Don’t worry about them. Enjoy your true friends. You know who they are.

Adjust your financial plan. You may receive no advance, a four-figure advance, or an advance large enough to make a real difference in your life. But please remember, you will be taxed on that advance and any royalties so hold back at least 30% for when the tax bill arrives. And if you are using an advance to live on, make sure to budget so that the money will last well past the date you can expect your next payment on your contract. Unsure of how to handle your new finances? Your local bank should be able to help you find professional help so you can form a plan. Bottom line: it’s easy to spend a fortune so don’t get caught short on money if you can avoid it.

Be watched. People who never looked your way before may suddenly notice you. You may gain more friends than if you had just issued a public invitation to a vacation home on the beach. Enjoy the popularity, but keep a balance of how much to let others into your life so you don’t become overwhelmed. This is a good time to solidify friendships you already have with other published authors and get a few tips from them on how to form boundaries with fans.

Expand your social media presence. Now more than ever, you will need to communicate with fans. Set up a schedule for Twitter, Facebook, and your newsletter and/or blog. Remind fans that you are still writing, and keep them up to date on important events in your life so they will feel as though you are a friend. Don’t hawk your books, though. Let readers find you and your books, although letting your fans know when your publisher is offering a free download can be a great idea.

Be asked to speak. Speaking engagements may start coming your way. If you need to hone your public appearance skills, many people recommend Toastmasters http://www.toastmasters.org/.

 Master time management. You will no longer have the luxury of taking as long as you want to write a book. You will have relentless deadlines — several with each book. Be prepared to meet them all and schedule your time accordingly.

Be with those you love. Make spending time doing fun activities with everyone you love a priority.

Enjoy your success!

Do you have other suggestions for those experiencing success?

______________________

Come meet Tamela Hancock Murray at the 47th annual Mount Hermon Christian Writers Conference, March 18-22, 2016.

Click here to register. 

Procrastination: Muse & Writer

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BLOGGER: ANGELA BREIDENBACH

Angela will teach an Afternoon Workshop and serve on the Critique Team at the Mount Hermon Christian Writers Conference, March 18-22, 2016.

Angela Muse Image

 

PROCRASTINATION: MUSE & WRITER

Muse: No.

Writer: But I’ll just watch the news while I eat on break.

Muse: You are on deadline. No.

Writer: Hand over the remote. Please.

Muse: You want to reach your goal, focus on the little tasks.

Writer: 15 minutes won’t matter.

Muse: But you won’t stop there.

Writer: I bet I can–

Muse: Go ahead – try to take them.

Writer: You wouldn’t…

Muse: Try me.

Writer: Fine, I’ll just go write then.

Muse: I’m sure you made the best choice…

 

Ever had a similar conversation with your self, uh, your muse?

_________________

Angela BreidenbachCome meet 2016 faculty member Angela Breidenbach at the conference, March 18-22.

Click here to register.

Podcasting for Writers and Authors

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John VonhofBLOGGER: JOHN VONHOF

Manuscript Retrieval Coordinator

 

PODCASTING FOR WRITERS AND AUTHORS

Writers want to write. Between query letters and proposals, research, one or more manuscripts in various degrees of completion, critique groups – we keep pretty busy. Then we learn that as writers, published or not, we should have our own website. And of course, if we are published, we need to do marketing. And whether published or not, we need to be working on building our platform. Building your platform can take many forms: websites, blogs, speaking, article writing, events – and more. For years, blogs were seen as the “must have” for writers. Then along came podcasting. Statistics from 2014 revealed that for every 1,700 bloggers, there was one podcaster. It’s a very small, wide-open arena for those wanting to build an even larger platform.

Podcasting in simple terms is often called on-demand radio – generally without the advertisements. A more detailed definition of a podcast is a digital medium consisting of an episodic series of audio files subscribed to and downloaded through web syndication or streamed online to a computer or mobile device. It allows anyone to become a radio announcer, talk show host and a recording artist in just a snap. The majority of podcasts are listened to on mobile devices, with Apple’s iPhone leading Android phones by a five to one margin. Podcasts can be listened to anywhere and anytime: commuting, cooking, gardening, exercising, and walking – anywhere you have time to fill. I listen while I ride my bike and run. Apple’s iPhone has a built-in podcast app. Android phones can download podcasts through the Stitcher radio app. Shows can be listened to on the podcast host’s website, online in iTunes or Stitcher, or better yet, subscribe to the podcast and you’ll automatically get each episode downloaded directly to your smartphone or tablet. Podcast can be listened to at 1.5 speed, allowing you to hear more in less time. I find listening at 2x or higher makes it hard to understand the content.

Anyone can start a podcast and it can be incorporated into any WordPress website. Podcasting can be done with relatively inexpensive equipment – your computer, earbuds from your smartphone, and a website. There are podcasts about podcasting, teaching listeners about equipment, interview and hosting techniques, editing, where to host your podcast, software and WordPress plug-ins, publicity and marketing, and more. In addition, there are websites offering the same information through free and paid courses about starting a podcast.

There are many options in podcasting. You can do a solo show or find one or more people to co-host with you. There are different formats: monologue, interview, back and forth banter with a co-host, and questions and answers are the most common. You determine the frequency of releasing new shows. Most podcasts are weekly, but some are twice a week. Shows can be any length. My shows are interview style. I edit my own shows and create a blog post page for each show.

Writers and authors can host a podcast about whatever interests them and they think will interest others. Fiction authors can do shows about their writing, how they do research, character and plot development, dialogue, and more. Non-fiction authors can record shows about their writing topics, research, style and structure, sections within their books, choosing topics, and more. Both of these, and poets and devotional writers, can read selections from their writing and dissect the content. Talk about motivation, writing skills and techniques that help you, finding time to write, and more. Give it a unique slant and title, determine your audience, decide on the format, practice recording, and then get set to go live.

In addition to my podcast, Writers & Authors on Fire, there are other faculty members at the conference who have podcasts. Kathi Lipp’s podcast is You’ve Got This with Kathi Lipp, Erin Taylor and Karen Ball co-host their Write From the Deep podcast, and Angela Breidenbach hosts Grace Under Pressure Radio. I know any of us would be willing to answer your podcasting questions. Kathi is also teaching a workshop on podcasting. I’m in the manuscript retrieval center during the conference and would be happy to share resources and help you brainstorm about whether podcasting could help build your platform, and possible topics.

I encourage you to listen to a few of the shows of the above podcasts before the conference. They are available through iTunes and Stitcher Radio, or your favorite podcasting app. You’ll be surprised at the variety of show topics and what you’ll learn.

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Come meet John Vonhof at the 47th annual Mount Hermon Christian Writers Conference, March 18-22, 2016.

If you’re interested in learning more about podcasting, plan to attend Kathi Lipp’s afternoon workshop, Beginner’s Guide to Podcasting.

Click here to Register Now!

Become a Published Author by Writing Short Stories That Sell

Posted by & filed under Writers Conference.

B.J. Taylor.2BLOGGER: B.J. TAYLOR

Editorial Representative, Guideposts Magazine

Teaching an Afternoon Workshop, Reviewing Pre-Conference Manuscripts and meeting with writers at the 2016 Mount Hermon Christian Writers’ Conference, March 18-22.

BECOME A PUBLISHED AUTHOR BY WRITING SHORT STORIES THAT SELL

You want to write novels. Me, too! But something happened along the way in my writing career. I became good at writing short stories that sell. And it helps me write novels. No kidding.

Here’s what happens when you write short stories:

It teaches you to write tight. If you can write a beginning, middle, and end in 1,200 to 1,500 words that captivate and entertain a reader, you can sell short stories. And with that, you have the ability to write a novel (which is a beginning, middle, and end). Think of your novel as also captivating and entertaining a reader one chapter at a time.

It teaches you to work with an editor. Every story you submit for publication goes through an editor who will work with you to make the story acceptable for the publication. You might be asked to make changes, delete some of your precious sentences, or cut a paragraph or two. When you graciously work with an editor, you build a reputation for being a joy to work with.

It teaches you to meet deadlines. Submissions must be received by a drop-dead date. Writing for a short story publication will help you to focus on a deadline and meet it.

It provides you with a byline. Seeing your name in print never gets old, even for me after 40 stories published in the Chicken Soup for the Soul books, multiple bylines in other magazines, and even on my nonfiction books. The fact that you’re a published author is huge! It will help you to snare an agent and even a publisher. Many will ask you where you’ve been published. If you can list your success, it’s a true bonus.

It provides you with an income. Hey, making $200 for a short story (or more depending on the market), is a lot more than fish bait. I never sneeze at an opportunity to sell my writing because every dollar counts in today’s expensive world. Would you agree?

It provides you with a shot in the arm. There isn’t anything better than feeling really good as a writer. And being published accomplishes that. As you toil on your novel writing, short story sales keep your spirits high and your enthusiasm soaring.

For more information on the formula used successfully by many short story writers, see the book on Amazon, P MS to a T: the Winning Formula for Writing Nonfiction Short Stories that Sell.

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Come meet B.J. Taylor at the 47th annual Mount Hermon Christian Writers’ Conference, March 18-22, 2016.

Ready to learn more about writing essays and short stories for periodicals? Plan to attend Jesse Florea’s Major Morning Track ~ Magazine Writing: Starting Point or Destination?

Click here to register.