WHAT’S TIMING GOT TO DO WITH FINDING AN AGENT?
BLOGGER: JESSIE KIRKLAND
A Literary Agent with The Blythe Daniel Agency, Jessie will teach two Afternoon Workshops, review Pre-Conference Manuscript Submissions, and meet with writers at the 2016 Mount Hermon Christian Writers Conference, March 18-22.
WHAT’S TIMING GOT TO DO WITH FINDING AN AGENT?
Poor timing could sabotage your ability to snag an agent. Some writers can’t get an agent because their craft still needs work. Other writers fail to come up with a unique idea that helps them stand out amongst the competition. However, many writers have put in the time and hard work necessary to get published, and they are still empty-handed when it comes to signing with an agent. For some of those talented writers, it simply comes down to poor timing. So, how does timing affect the “yes” you so badly want and need from an agent?
Although I would say that I’m always open to submissions, the truth is I’m not always in active signing mode. I tend to sign people in rounds throughout the year. And these signing sprees are typically concurrent with writers conferences, not the queries in my inbox. I do review queries, but it’s not the best way to pitch me personally.
Here is a typical rundown of my calendar year. I have a conference a month in August, September, and October, then I take a break until February. Then, I have a February, March, and May conference, and then I break for the summer. In the spaces between these writers conferences and retreats, free time is scarce. Most months, I’m focused on servicing my existing clients: negotiating contracts, talking with editors and publishers, and helping clients with marketing & social media. Many agents have much busier schedules than me as they go to multiple conferences a month—every single month of the year.
It can be very difficult for agents to find time to stop doing the work that is right in front of them, in order to think about acquisitions. The workload from already existing clientele always takes priority over potential clients. I can’t switch my brain into acquisition mode sometimes, until I’m leaving on a plane for my next conference. At almost every writers conference, agents teach, speak on publishing panels, and take pitches via 15-minute appointments. A writers conference is your best chance at getting signed by me personally. And yet timing plays a role at these conferences, too.
Agents typically meet with acquisition editors and publishers in 30-minute appointments in between all the duties we have scheduled for us at conferences. So, what if you come to a conference and don’t get the time you wanted with an agent? Then, what should you do? My advice is that you send an email to the agent with a title like “Mt. Hermon Writers Conference meeting” in the subject line. We don’t normally stop checking email, even if we are at conferences. Tell the agent that you weren’t able to get an appointment with them like you requested, and would it be possible to meet with them at a meal or during some of their free time? You might have a good chance at not only getting this appointment, but also standing out more because you emailed them and now you are on their radar.
NOTE FROM MONA: Mount Hermon doesn’t do pre-conference or arbitrary sign-up sheets for appointments. You and the faculty member schedule your own appointments. You can read more about the connection process here.
A few years ago, I was sprinting through a hotel lobby trying to get to a dinner meeting with a publisher when a conference attendee stopped me as I was hurrying past, and told me that they didn’t get an appointment with me. I replied, “Oh, I’m so sorry. If you’ll send me an email, maybe we can make some time.” The guy was determined to force me to hear him out—right there in the lobby. He started to recite his pitch when I had to interrupt him and say, “No. I’m sorry I can’t listen right now. I have an appointment.” He kept pitching, and moved in front of me to block me from leaving. And so I stood there, feeling odd, and by that point…mad. When he was finished I said, “I’m sorry, but I’m not interested.” and stepped past him. My point? If he would have been wise with the time I offered him, instead of pushy, then it might have turned out differently.
Don’t ruin your chance by forcing a moment with an agent when they don’t have time to listen. Particularly if they’ve already politely said no. There’s so much instruction out there on how to take your moment and deliver your elevator pitch, but if you force your moment into an agent’s already-filled-up schedule, then you’ll probably be staring a quick no in the face. Pick a meal to do an impromptu pitch, not when an agent is running to the restroom or another meeting and doesn’t even have the time to think about what you are saying. I think all of us expect to be stopped, and we don’t mind at all. It’s only when writers get forceful that things can turn south quickly. That type of bad timing pitch will never turn out in your favor.
Agents are busy. Our calendars are full, and although another agent’s calendar may look different than mine in a lot of ways, I assure you there are patterns to the bulk of their signing. They might not have my habits, but they have habits. Their calendars, inboxes, and time available still affect your ability to get their attention. And when you know these patterns, you’ll be able to pinpoint more optimal times to query or pitch them face-to-face, and therefore have a better chance at getting an agent.
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Come meet Jessie Kirkland at the 43rd annual Mount Hermon Christian Writers Conference, March 18-22, 2016.
